cinematographique

pourquoi? parce que

Page Eight

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Very hush-hush. The world of secret intelligence is one of private encounters behind closed doors: very hush-hush. There is something inherently dramaturgical about such scenarios, whose language games unfold in the absence of extras and their entire hubbub. This works to David Hare’s advantage: prolific he may be, at a writing desk, but his directorial prowess is oft maligned. Here, that singular theatrical flair produces character-driven drama, whose plot is intimate to the protagonist, propelled by his discoveries and self-reinventions. Don’t expect pretensions to international espionage intrigue, or the genre conventions of conspiracy thrillers. Page Eight is really about the climacteric of one senior officer’s life and the changing constitution of our security services.

Page Eight

Catch my review from EIFF 2011 at The Ooh Tray.

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Written by James P. Campbell

26/06/2011 at 12:56

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