cinematographique

pourquoi? parce que

Hiroshima Mon Amour

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At a performance of the short ballet, Sea of Troubles (MacMillan, 1988), the score reminded me of these opening passages from Resnais’ Hiroshima Mon Amour (which I found infinitely more arresting). Professor Emma Wilson gave a glorious lecture on this film, and these scenes in particular, with quite an emphasis on their textural quality – riffing on a few themes from Laura Marks. The music hauntingly sticks to these scenes in my memory, bringing it all back vividly.

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Written by James P. Campbell

16/08/2013 at 23:30

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